Glastonbury Tor viewed from flooded fields |
The Flood by Carlo Saraceni |
The Fall of the Rebel Angels by Hieronymus Bosch is based on Genesis 6:1–4 |
I
have looked into occult contact and relationships with these creatures (the
likes of the libertine, pansexual magician Aleister Crowley) and
the concept of Theosophy, as espoused by Madame Blavatsky
– both individuals used guile to attract followers and when that failed fell on
hard times. Sex with angels has been an appealing concept to man over the ages (and angels themselves are fascinating - so many interpretations, worthy of another blog).
I have pondered Peruvian walls and studied ancient maps. The Peruvian walls intrigued me:
I have pondered Peruvian walls and studied ancient maps. The Peruvian walls intrigued me:
as
did the fact that similarly impressive masonry can be found in other locations across the globe. Certainly, ancient monuments exist, built by long
gone civilisations. I have metaphorically
crawled over pyramids and contemplated huge stone steps, spheres, elongated
skulls and jars. The Internet is awash
with creationist testaments to ten great Kings and the longevity of the
ancients and New Age stories abound of enlightenment and astrology. I have visited the Bermuda Triangle and
pondered underwater pyramids. I have
read about asteroids and the death of dinosaurs and looked at man-made
artefacts apparently showing these ancient creatures. There is an awful lot of peculiar stuff out
there...and it is easy to become beguiled by the tales, supposition and
explanations.
Aleister Crowley by Leon Engers Kennedy in National Portrait Gallery London |
We
could experience another great flood. We know that there was a 300ft ocean rise at
the end of the last Ice Age (as proven by core samples taken in Greenland) -
there are also archaeological sites that seem to indicate humans operating as
societies at a time of differing sea levels (according to some, the now 9,000
ft high Andean highland city of Tiwanaku shows signs of having once been a port
and there are cities on what is now the sea bed). Change in climates and tectonic movement is
widely accepted (Captain Scott, of Antarctic fame’s Polar party found fossils
on their way back from the doomed Terra Nova expedition to the South Pole that clearly show tropical
vegetation)
and that is just part of the way the world works.
It makes sense for our own survival to think about what the future might
look like and plan ahead.
"The Deluge", by John Martin, 1834. Oil on canvas. Yale University |
There
is ongoing debate as to whether the time before The Flood was an idyllic
paradise, the Garden of Eden, or a dystopia of wickedness and corruption
resulting in god(s) wiping men off the face of the earth. The antediluvian world and sophisticated civilisations
envisaged by many, especially those whose ideas include aliens and high
functioning non-human life forms, are not dissimilar to the high tech vision of
Los Angeles in 2019 that was created in the film Blade Runner.
I
was fortunate when younger and living in Hong Kong, Sir Run Run Shaw invited me
to the first screening of Blade Runner
and the experience has had a lasting impact on me. The film’s themes around the moral
implications of human mastery of genetic engineering and the impact of
corporate power and corruption (still highly topical today) are powerful, as
are the core questions of what it is to be human. The replicants seem to show more
consideration and compassion to their colleagues than the actual people. All sides use guile to aid survival. The are antideluvian hints - the humans have
fabricated a world with what appear to be animals, but are in fact artificial
substitutions to replace the creatures that have become extinct. It is a dark place with little charity or
philanthropy, other than at a very personal one-to-one level. It concerns me that many of the visions in Blade Runner have come to be the reality
in our current world - we are now using robots for dangerous, menial and
leisure work and sending them into space.
Our lack of concern for the Earth and the impact we have on our
environment is verging on terrifying. Sir
Run Run was Blade Runner ‘s producer and
the director, Ridley Scott, has said that he regards the movie as “probably”
his “most
complete and personal film”.
Original theatrical release poster by John Alvin |
Rutger Hauer as a replicant in Blade Runner mixture of savagery and tenderness |
Sir Run Run Shaw GBM, Kt, CBE in youth and age |
"No person was ever honoured for what they received. Honour has been the reward for what they gave"
If
the world’s climate keeps changing (witness recent unseasonable
weather patterns) and man’s impact on the environment continues to go
unchecked, we will have need of the research that is supported by Sir Run Run’s
philanthropy. We could find ourselves in
deep water again...
London under water |
Instead
of closing on a message of doom, I would like to end with some thoughts based
on antediluvian experiences, guile and philanthropy that also link to the work
place and the way we interact with each other.
The three words given to me made me think hard to find a way of
connecting them. However the answer (as
is often the case in life) was right under my nose (well, on my book shelf). As a child my mother read to me a book that she
had loved when she was young, The Log of
the Ark by Kenneth Walker and Geoffrey Boumphrey (published in 1923). It
describes various animals that came to the Ark, to be saved by Noah and his
family.
The Sloth sleeping on a towel rail in The Log of the Ark |
It is an amusing and interesting
reflection on different types and how they cope while the world around them changes. Some creatures were left behind – such as the
Wampity Dumps (so called because of the noise they made as rolled to move) and others
were unable to cope in a new environment e.g. the Clidders (who melted in the
rain). Not all can survive in a new
world. There were those who opted out - the
Seventy-sevenses (so self-named after the number of their cabin, as they were seen
as so insignificant and were themselves so shy that nobody named them prior to
the flood). They eventually find the Ark
such an oppressive environment that they leave of their own volition on a
raft. Good but unappreciated employees
will leave their employer in a similar manner.
Noah, although philanthropic, is a fallible leader - but learns as he
goes along (for example, for convenience he tries to stow all the large animals
in the same area of his craft but discovers, almost to his cost, the impact
that this approach has on the Ark’s stability and buoyancy). There are guileful villains who take
advantage of the situation: an outcast
animal, the Loathly Scub, infiltrates the ark and introduces certain of the
other species to the idea of eating meat - instead of their diet of porridge
and a dollop of treacle. Events change people
and we would do well to appreciate this fact.
In the book Noah is horrified once back on dry land to discover that
some animals hunt others while others hide – however, that is the way of the
world
Noah's Ark (1846 painting by Edward Hicks) |
I
would like to thank Simon, Perry and Julie – you three have made me think a lot
this week and I have learned quite a bit too.
I have been to places where I would never normally go. You have broadened my horizons. Perhaps the biggest observation I have is this
- to avoid sinking you need to be open minded, to gain what you can from others
and be prepared to learn and use your knowledge.
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